Thursday, January 12, 2012

Finish Before You Start

This week's post contains the full text of a presentation I made this week to the Society for Image Science and Technology at the Consumer Electronics Show in Las Vegas.

Offset printers and photographic labs have experienced significant shifts in the demand for their services over the last decade. There has been a general erosion in the perceived value of a basic printed image and a greater emphasis on finishing operations. Photographic labs have morphed into photo book printers and offset printers are becoming marketing service providers.

These transitions have been highly stressful for many companies and have led to significant consolidation within both fields. At the same time, there have been significant growth opportunities for companies that recognized the trends early and adjusted their production methods accordingly.

Image via Pinhole Press
Some recent data from InfoTrends highlight the photo book opportunity. In 2010, 32.2% of U.S. households purchased photo merchandise, the category which includes books. That represents a 28% increase over the year before. During the same period, the percentage of professional photographers offering photo merchandise grew 45%.

Direct mail sent by Convertible Solutions
After a couple of very difficult years, the direct marketing field is looking up also. The Direct Marketing Association has reported a growth rate of 5.6% in 2011 to $163 billion. However, purely digital applications such as email and search marketing are the fastest growing segment. The direct mail segment grew 4.6% to just over $50 billion.

Much of the growth in direct mail is in the digital variable data printing segment where personalized URLs, personalized QR codes and personalized landing pages are used in cross platform campaigns. This allows the marketer to maximize the strengths of each medium.

Image from Komori
The photo book opportunities and personalized direct mail opportunities share the necessity for digital printing and the need for complex binding and finishing. Historically, in the pre-digital age, finishing was done either inline or offline after the printing was completed. The time and material waste involved in configuring an inline finishing operation on a large web press or setting up a multi-station book binding flow were offset by the size of the production run.

With digital printing, it's a different situation. Most jobs are short run, sometimes as small as one copy. Any time spent configuring a finishing operation pushes the cost of the job into an unacceptable range. Any setup waste on a variable data print job results in prospects that do not receive their personalized item.

Pre-converted substrates offer a simple solution to this dilemma. These stocks have adhesives, scores and perforations already in the correct locations on the paper. After the stock is printed, finishing is usually a simple matter of folding, pressing and shipping. These simple processes strongly influenced the selection of Fold'n Go as the trademark name for Convertible Solution's brand of pre-converted substrates.

Most pre-conversion steps fall into one of two categories: adhesives or mechanical conversions. Adhesives include cohesives, pressure sensitive adhesives with liners, and remoist glues. Mechanical conversions include scores, perforations and die cuts.

The most important adhesives used in most pre-converted stocks are pressure sensitive cohesives. Pressure sensitive cohesives are chemically formulated to bond with pressure only to another surface coated with the same cohesive. The cohesives used in pre-converted printing stocks are firm and limited in tackiness so they can pass through the printing equipment and folding equipment easily, but form a powerful seal when they contact another cohesive surface.

Cohesive pattern for Panoramic books.
Three common applications for cohesives are lay-flat book binding, self mailing envelopes and double thick postcards. For lay-flat books, the back of the paper substrate is coated with a cohesive pattern that concentrates the cohesive forces in the spine area of the book. Each sheet of the stock is printed as a full two page spread which stretches seamlessly across the center of the book. After the pages are printed, they are folded with the image to the inside and stacked into a book block. The book block is then placed under pressure for a few moments to seal into a completed lay-flat book block.

For a self mailing envelope, the cohesives are positioned to seal the edges of the envelope. The envelope runs through the press flat and is subsequently folded and trimmed. The folding brings the cohesives into contact with each other to form the envelope. The clamp on the trimmer provides the pressure required to seal the edges of the envelope.

Double Thick Impact Cards
The simplest cohesive application is a double thick postcard mailer. Postcards are one of the simplest forms of direct marketing and thicker cards are more likely to be noticed and drive a higher response rate than thinner cards. However, many digital presses are limited to a 12 or 16 point stock. If the back of a 12 point stock is coated with cohesives, the front and back of a postcard design can both be printed on the front of the press sheet. When the sheet is folded, the front and backs of the card come into alignment to form an impressive 24 point postcard. The pressure of the clamp on the trimmer seals front and back of the cards together.

Pressure sensitive end sheet for book binding
The next type of adhesives used in pre-converted substrates are pressure sensitive adhesives with a liner. These adhesives are formulated to bond to any appropriate surface and the liner is required to allow the paper to pass through the printer and folder. After printing, the liner is removed and the sheet is positioned and sealed with pressure. Pressure sensitive sheets with liners are often used to adhere hard case covers to photo books. For example, Convertible Solution's photo book end sheets are coated on one half of the back with a cohesive to bond with the cohesive on a lay-flat photo book. The other half of the sheet has a pressure sensitive adhesive with a liner to bond to the case of the book.

A third type of adhesive often used on envelopes is a remoist glue. A remoist glue is often used on the flap of a returnable envelope so the recipient can seal the envelope with moisture. Care should be taken to select remoist glues that will not be impacted by the heat from the fusing step on the digital press.

Magnified Image of a Score from Technifold USA
Beyond adhesives and cohesives, pre-conversion techniques also include mechanical steps including scoring, perforating and die cutting. A score is created by compressing a sheet of paper along the line where a fold will need to occur. The compression causes an internal delamination effectively creating a paper hinge. During the final finishing, when the sheet is folded at the score, the outward force that would normally split or crack the sheet is directed inwards toward the weak, delaminated line. As the fold is completed, the sheet delaminates further internally creating a rounded bead on the inside of the fold while the outside of the fold remains smooth and unbroken.

TriCreaser for Scoring by Technifold USA
Scoring as a pre-conversion step works best on areas that will not have ink coverage when printed. Depending upon the type of ink or toner used in the press, the score may interfere with the printing quality. The double thick postcard mailer that we considered earlier is a good application for a pre-score because the fold area is trimmed away before mailing. On the other hand, in the lay-flat book application, the scoring should be done after printing because the fold is located right in the middle of the imaging area.

Generally, scoring and folding done parallel to the grain of the paper presents less resistance, will lay flatter and creates smoother lines. In book binding applications, scoring and folding parallel to the grain also prevents and swelling of the paper from exerting stress on the binding.

Die used for perforating by Convertible Solutions
When an area of a mailing piece needs to tear away easily, a perforation is a good choice. A perforation is made with a series of teeth that punch completely through the paper in a line at the point where the paper is intended to be torn. A pre-converted perforation needs to be carefully balanced so that it holds together firmly in the digital press while coming apart easily for the final recipient.

In addition to tear-off envelopes, perforations are often used for tear-out coupons, tear-off redemption cards and tear-away security seals on transactional documents. Recently, we have seen postcard mailing campaigns with a perforated portal holding a personalized quick response code.

The final mechanical pre-conversion that this paper will address is die-cutting which is used to create a continuous cut or opening in a mailer. A common die-cut application is a pair of opposing slits to allow a business card to be attached to a presentation folder.

Generally, die-cuts must be approached with great caution in pre-converted applications to avoid causing transport problems in the digital press. Most applications where die-cutting would be used in a typical post press finishing operation would be handled with a perforation in a pre-converted approach.

This school portrait flier from Inter-State Studio uses pre-converted paper from Convertible Solutions
A school portrait flier shows how several of these processes work together to create a functional marketing piece. The cohesive strips along the sides at the bottom of the piece will form the return envelope. Perforations are used to allow easy removal of the envelope and return form and remoist glue allows the recipient to seal the return envelope.

The flier runs through the digital press flat to allow personalized content to be printed on each side. After printing, the piece is folded and trimmed with the pressure from the trimmng clamp sealing the cohesives.

The direct mail and publishing industries will continue to evolve with even shorter print runs and higher levels of personalization. Pre-converted substrates can help digital printers respond to these trends and serve their customers better. 

Thursday, January 5, 2012

Do Your Own Annual Review

Cyrstal ball
Image by Iris Shreve Garrett via Flickr
Most companies do an annual performance review of every employee. While these reviews may have a significant impact on your income and promotion potential within your company, they are not sufficient to guide your personal development plan.  Long term, it will do you little good to exceed expectations in a function that may be decreasing in relevance in your company or the global economy.

At least once per year, you need to do your own review that looks beyond your current role, your current department or even your current company. It’s your life! You are ultimately responsible for implementing your personal development plan.

Here are some questions that you should ask yourself as part of your own annual review:

Are you enjoying your work?

How has your industry, company and job changed in the last year?

What new skills do you need to excel in your current position?

How are your industry, company and job likely to change in the next year?

How are your industry, company and job likely to change in the next decade?

Will  global and industry trends lead to an increase or decrease in demand for your current skills?

What skills and experience do you need to develop to prepare for the changes coming in your industry and company?

What resources are available to gain the skills and experience that will be required in the next year and the next decade?

These are not easy questions and finding the answers will require careful research and intuition. The future is impossible to predict accurately, so your answers will be based on probabilities. With your answers, you will be in a better position to select the books and blogs you need to read, the conventions and classes to attend and the projects to focus on in the upcoming year.

How often do you update your personal development plan?




Thursday, December 29, 2011

Hugo - Visually Stunning 3D




Hugo, Martin Scorese’s adaptation of the Brian Selznick book The Invention of Hugo Cabret, is a beautiful work of stereoscopic cinematography where the beauty of the 3D imagery works to enhance the storyline. Set in a stylized version of Paris in the 1931, the film combines elaborate period costumes and live action sets with computer generated imagery to create a world that feels both realistic and magical at the same time.

Scene From Hugo Showing Green Chroma-key Background
While the story is fictional, it is built around the real French cinema pioneer Georges Méliès and it is an homage to early filmmaking generally. The film clips featured are actual Méliès films which were restored, colorized and converted to 3D by Legend3D. The main portion of Hugo was shot using Cameron Pace 3D camera rigs and a new method of reviewing dailies that allowed Scorese to evaluate each day’s work in stereo 3D with the computer generated imagery already in place.

Same Scene After Addition of Computer Generated Elements
Much of the action takes place inside the clockworks at the Paris railway station and the giant clock works are visually stunning in stereo. I enjoyed seeing Hugo at the theater and I am looking forward to seeing it again when it is released on 3D Blu-ray.

What is your favorite 3D movie so far?





Images from: http://www.cgsociety.org/index.php/CGSFeatures/CGSFeatureSpecial/hugo


Thursday, December 22, 2011

Creating Happiness

We can create many things.  Our own happiness is one of the most important.

Many people feel that happiness is something that just happens.  They believe that they are happy when good things happens and unhappy when bad things happen. This fatalistic belief is not consistent with the actual scientific evidence.

Philosophers throughout the centuries and scientific researchers over the last forty years declare that happiness is not the result of what happens to us. Happiness depends upon our interpretation of what happens to us. Each of us control our own happiness by the way we approach everyday experiences.

Groundbreaking research by Hungarian Psychology Professor Mihaly Csiksentmihalyi discovered that people report being most happy when they are engaged in an activity where their body or mind is stretched to its limits in a voluntary effort to accomplish something difficult and worthwhile. For many people, this happens most often at work. Csiksentmihalyi calls this experience “Flow” and explores it in detail in his book Flow, The Psychology of Optimal Experience.

Flow can be experienced in many activities; work, sports, music, art, cooking. Csiksentmihalyi found that every flow experience “provided a sense of discovery, a creative feeling of transporting a person into a new reality. It pushed the person to higher levels of performance and led to previously undreamed-of states of consciousness. In short, it transformed the self by making it more complex.”

Two things that can prevent flow are boredom and anxiety. It your activity is too easy, it won’t keep you engaged and happy.  If your activity is too difficult, anxiety will keep you from becoming engaged and happy. The key is to find an interesting activity that is moderately difficult and continue to increase the difficulty as your skills develop.

When you reach a state of flow, all other concerns melt away along with any sense of the passage of time. It really is the journey, not the destination that matters.

When are you happiest?



Thursday, December 15, 2011

An Arrogant Assumption

Image by mre770 via Flickr
This blog and others like it are built on an arrogant assumption. By providing motivational tidbits and prescriptions for creativity, these blogs convey the impression that if you are smart enough, work hard enough, and follow these instructions, all will be well with your life.

But the world doesn’t always work that way.  I have friends and colleagues that I respect deeply who have been unable to find work for months. There are many people who are driving innovation and evolving new business models in their companies, but the new business isn’t growing fast enough to offset the declines in their traditional lines. Many artists and craftsmen find it difficult to market their products or skills when potential customers are worried about political deadlock in the U.S. congress or the debt crisis in Europe. Injury and illness can stop anyone.

The bottom line is we live in a complex and difficult world. I refuse to believe that people who are struggling are doing so simply because they didn’t work smart enough or hard enough. No amount of education or activity can eliminate disappointment and loss. The quality of our lives is based on how we react to our successes and our losses.

I believe the recommendations in The Creativity Paradox have value. Striving to expand your creativity will not guarantee that all will be well, but it will make every day a little better. There is joy in the effort and experience of creation regardless of the results.



Thursday, December 8, 2011

Choose the Difficult Assignment

Image of Hamilton Mountain Trail by Major Clanger

Every now and then, each of us comes to a crossroads in our career where we have to choose between two different projects. Usually, one of the assignments appears to be more challenging than the other. 
 

There are several advantages to choosing difficult assignments. First and foremost, you will learn more. Solving big challenges requires more research, deeper analysis and greater powers of intuition. As you engage these skills, you hone them to a finer edge and they will serve you well in this project and on subsequent projects.

The difficult project is usually the most fun. You will meet a greater diversity of people and may get to travel to some new parts of the world. Encouraging innovation and risk taking in your team is essential to solving tricky problems and people are interesting and entertaining when they unleash their creativity.

Your success at completing the difficult project will be valued more than completing an easy task. You will find that you are offered more opportunities to select projects that are difficult, educational and fun.

What choices are you facing in your career?  Are you bold enough to choose the greater challenge?



Thursday, December 1, 2011

Hartsburg, St. Augustine and Daytona in 3D

It has been a number of weeks since I posted any stereoscopic images so it seemed like a good topic for the week.  Here are a few images captured over the last few weeks in Missouri and Florida. As usual, I have uploaded each image as a stereo pair and a red/cyan anaglyph so you can chose your favorite viewing method.

First two images are from Missouri.  The pumpkins were on display at the Hartsburg Pumpkin Festival and the barn is in a field near Hartsburg.






The next few images were taken in St. Augustine Florida. I particularly like the receding depth of the circular lighthouse staircase.








 
These last two images were captured in Daytona Beach, Florida.  It is interesting how the water in the fountain appears to float in the air.





Have you experimented with 3D photography? 

What is your favorite method of viewing 3D images?